![]() ![]() A dark-blue enamelled, plate steel ‘frieze’ serves to emphasize the top two floors and is a post-modern touch added during the renovation works carried out in 1985-86. In 1854 Eugène Simonis put the finishing touch to the façade in the form of a pediment with a bas-relief representing ‘The Harmony of Human Passions’. ![]() The Façadeĭesigned by Louis Damesme in a neo-classical style, the façade of the theatre dates from 1819. Tangible Emotion was mounted in the renovated buildings. ![]() ![]() Only the pediment (Eugene Simonis ‘Harmony of Human Passions’), the colonnade and the outside walls were left intact.ġ856 Inauguration of the third theatre by architect Joseph Poelaert.ġ876 Gédéon Bordiau added an extra floor and installed the building’s first sophisticated air-conditioning system.ġ963 ‘La Monnaie’ became a national institution, having first been run as a private concession and then by the City of Brussels.ġ985 The Department of Public Works decided to renovate the building for technical, safety and aesthetic reasons.ġ986 Inauguration of the restored building.ġ998 To mark the 300th anniversary of La Monnaie, the stage organ was restored and the restored paintings on canvas were reinstalled on the cupola of the auditorium.Ģ000 Inauguration of the New Monnaie workshops in the ancient Vanderborght buildings and the neo-classical building at no. This work played an important part in Belgium’s struggle for independence.ġ853 Repertoire restricted to opera and dance.ġ855 The interior of the theatre was destroyed by fire. It was considered one of the most beautiful theatres outside Italy.ġ800 Napoleon decided to build a new theatre.ġ819 Inauguration of the new theatre designed by the French architect Louis Damesme.ġ830 King William of the Spanish Netherlands lifted the prohibition on the staging of Auber’s opera The Mute of Portici.
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